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Call it coincidence, the pandemic effect, or evidence that a lot of filmmakers really liked Alfonso Cuarón’s Roma, but cine-memoirs have become all the rage. Already this year we’ve had Branagh’s lyrical Belfast, Linklater’s fanciful Apollo 10 1/2, and still to come is Spielberg’s The Fabelmans. Director James Gray’s childhood …
Read More »Armageddon Time review, Cannes: “A moving, muted cine-memoir from a master filmmaker”
